The Canon EOS 70D is here

Yeah I’m a bit late but I actually work for a living here at Canon USA, so sue me. The EOS 70D is out, and you can see some of what’s to come with the 7D Mark II in there. Most importantly the new sensor with on-sensor phase detection autofocus, which, as far as I’m concerned is one of the best innovations we’ve had in a long while. This is going to open up a whole host of possibilities and new features, most of which Canon Inc. will introduce with the higher models.

I mentioned a few posts ago how I was wrapped up in an internal battle with Japan about the godawful 9-point autofocus system. Man that struggle alone lost me another 20% of my hair. I managed to convince Japan to step up the AF system on the lower models, and the 70D now has the same AF from the 7D, which is a big deal. Yes, take note, and you have me to thank for it.

Of course this means the 7D Mark II is gonna have to get the AF system form the 5D Mark III. Before you start smiling keep in mind that the price of the 7D Mark II is gonna be much higher than the 7D. But as far as I can see right now, it’s gonna be worth it. Especially with the frame rate we’re planning on having on it.

The only thing that concerns me right now is the image quality. But before I post about that I’m gonna wait for Japan to deliver the production firmware so I can be fair about it. I don’t know what it is with the Japanese and megapixels. I thought I had won that battle long ago with the 5D Mark III, but they keep on pushing it. I pray to God that the new medium format lineup gets ready soon so that the marketing department can masturbate all over the megapixels there while they leave the 35mm sensors where they are right now.

It’s a fucking shame that the 70D has the autofocus system that should have been in the 6D. Canon Inc. just completely fucked the 6D up by including such an ancient AF system on it. Mainly because of that crap autofocus system I can’t recommend that camera to people when they ask me. You’re just better off getting a 5D Mark III. And if you just can’t afford that, you better get the Nikon D600, tho it’s not that great compared to the 5D Mark III, which is still the best fucking DSLR in the history of human civilization, if we don’t look at the 1DX.

Van Niekerk

Van Niekerk – In theaters soon.

Van Niekerk, photographer by day and vampire slayer by night, did an ISO comparison between the 1DX, D4, 5D Mark III, 6D ad D600, which I think you should check out. It clearly shows the superiority of the latest Canon EOS models. Some of what he says:

1. To my eye, the Canon 6D and Canon 5D mark III behaved similarly in this aspect – high-ISO performance.
2. There is a definite (but not that an incredible) jump from the Canon 5D mark II, to these two cameras.

[..]
5. The Nikon D600 performed surprisingly poorly, especially if you think of how fantastic the Nikon D3s and Nikon D4 perform, and how the Nikon D3 was the high-ISO king for quite some time. The D600 that I had, did have the latest firmware, so I can’t explain the noticeable poorer performance compared to the other cameras.

Keep in mind that the 5D Mark III is slightly better compared to the 6D with regards to image quality for stills, and much better if you’re doing video (moire, aliasing etc.). Canon Inc. just fucked with the image quality on the 6D and totally sent everything to hell with the piece of crap 9-point AF system.

DXOMarkBut what’s even more interesting here about Van Niekerk’s observations is with regards to the Nikon D600. The reason is because this, AGAIN, proves that those goddamn motherfuckers at DxO Labs are fucking fooling the entire industry with their bullshit benchmarks. Just take a look at the screenshot below. You’d think that the D600 is so much better compared to the 5D Mark III and 6D based on those scores. Yet, in reality things are completely different, and I’ve shown this before with my analysis of the piece of crap D800.

DXO Mark Sucks Balls

DXO Mark Sucks Balls

If you’re a regular reader of this blog, this isn’t a surprise to you. Why people still take those morons at DxOLabs serious is beyond me. I’ve given up long ago to understand this shit. I have better chances understanding my wife to be perfectly honest with you.

Redneck ordering a Nikon D800

Yo’ kin’t go wrong wif a D800 acco’din’ t’them fuckwads at DXOLabs

Anyway, I’ve got a conference call that’s about to start with Tokyo regarding the new 14-24mm lens so until next time. Take care!

Canon 1DX and 1DC Autofocus Issues

Well, what can I say? Canon Inc. fucked up again. If you have a 1DX or 1DC you might want to read this service advisory.

This notice is to proactively inform our customers of the details of the phenomena described below along with Canon’s support actions. Because we value the trust our customers have placed in us, we are dedicated to continuously improving product quality and delivering industry-leading service and support. We offer our sincerest apologies to any customer who may be inconvenienced.

Affected Products EOS-1D X Digital SLR Camera EOS-1D C Cinema EOS Camera

Phenomena In some units of the models listed below, there is a possibility that the following phenomena may occur due to wear caused by insufficient lubrication within the camera’s driving mechanism.

  1. AF searches but does not lock in on the subject. (Caused by
    minute particles produced by wear mentioned above.)
  2. The image shown in the viewfinder is “blurry” or “not steady”.     (Occurs if wear progresses.)

Read more.

I pray to God this doesn’t become another 1D Mark III debacle. It’s the last thing I need right now in my life.

At least Canon Inc. has the correct approach this time: Proactively informing customers because of “recognizing the trust customers have placed in us.” This goes a long way.

God this is so depressing.

U know what? Fuck it. I’m on my way to the pub.

Canon Inc. rape, feature requests, and why the Canon EOS 6D sucks balls

Man what a weekend. What a weekend! Things are just so hectic around here I barely get any time to update the blog. But I have to do this update today because my previous post about Canon Inc. raping us all didn’t come across very well with some of my contacts at Canon Inc. To be honest, this happens quite often, but this time I feel that their criticisms do have some validity.

Yeah, it’s true that the 5D Mark III could be enabled to do all kinds of advanced stuff, as the guys from Magic Lantern have shown recently with their RAW video update. However, it may not be reasonable to expect Canon Inc. to just implement and enable any and all possibilities on such a camera. It takes quite a lot of work to implement and test functionality on a camera, and adding features — sometimes what may seem as even minor features — could simply mean a lot of additional engineering work, not to mention testing and Q/A work. And at some point you just have to stop adding stuff and release the product. Otherwise you could go on adding and developing to infinity.

So yeah, maybe I was a little too hard on them in the previous post. Especially since Canon Inc. has shown us in recent years that they do listen. But during the discussion I also mentioned, and we talked about, the possibility of releasing an SDK along with some of our products that would enable other people to more easily extend their functionalities, and even introduce new ones, and basically add value to our products without us having to do very much ourselves. Wouldn’t it be nice if the guys at Magic Lantern, for example, could just use such an officially supported SDK to build cool new features everyone, including Canon Inc. could benefit from — instead of having to hack into and reverse engineer the products?

A company famous for using this strategy for many years now is Microsoft. They’ve been handing out development tools and sample code to software developers for free for years. And look how that has worked out for them. All kinds of programs exist within Microsoft for independent software vendors to get free software licenses to get them started building cool new software for the Windows platform. Sometimes you can even get some funding in addition to free licenses. This leads to more interesting software that runs on their platform, which leads to more value, which leads to more users, which leads to market share and sales, which leads to $$$$$.

With an official SDK from Canon Inc., developers could build on top of our existing products and add value to them, adding all kinds of stuff we couldn’t add ourselves, eventually leading to more interesting products and more customers. There are so many cool benefits I just don’t want to name them all here for the competition to steal.

And you’re not going to believe this, but I had this discussion last week, and lo and fucking behold, I almost fell off of my chair this morning when I saw that Samsung is already releasing the code for their cameras to open source developers.

Canon Inc. needs to act fast man. Who the fuck wants to develop for Samsung anyway? Their platform sucks balls. EOS is where the fucking power lies in this industry, as the guys from Magic Lantern have clearly demonstrated. If we had an official SDK out, people would be all over it.

Now, having said all of the above, this still doesn’t change the fact that for many features, Canon Inc. IS GUILTY of dumbing down and crippling products fucking INTENTIONALLY. That needs to be said. It’s just that it’s unreasonable to expect them to add all features that a product could be capable of supporting.

Just look at the goddamn 6D. I still haven’t written a post dedicated to this camera because honest to God, as soon as I think about this camera I get fucking depressed. Was it really neccessary to put a sync speed of 1/180th on it? Honestly? The fucking 5D Mark III is already crippled with 1/200th sync speed. Why in God’s name was it neccessary to go to 1/180th sync on the 6D?

And you know what pains me the most about this? Just a few days before the release of the 6D, I was on Twitter smacktalking The Lord of the Speedlights about how we already had built-in wireless capabilities via RT on our flashes, and how we’re going to show him that the 5D Mark IV would even have a 1/500th sync speed in the future.

Twitter discussion

Twitter discussion

And then, just a few days later, Canon Inc. totally fucking lets me down with the 6D and announces it with a sync speed even worse than the D600. When in fact I’m sure the sensor in the 6D would be quite able to handle at least a 1/200th sync speed. I’m just glad The Lord of the Speedlights apparently isn’t aware of this, and never replied to my last tweet to publicly laugh at me and rub the 6D fuckup in. That would have been quite embarrassing.

This kind of intentional crippling of products is just not necessary man. Seriously. The same thing can be said about the 9-point piece of fucking shit autofocus system on the 6D. I keep saying this, but who the fuck releases a camera with a fucking 9-point AF system these days? Honestly? Not only that, but with just one goddamn cross-type point in the center? Really man, that was just not necessary. The 6D could have benefitted from at least the AF system from the 7D. Releasing it the way it is right now at that price is simply criminal behavior. Even the image quality was purposely degraded.

I’ve said it before, and I’ll say it again, don’t waste your money on a 6D. Get a Nikon D600, or save some more to get the 5D Mark III. Just pretend the 6D doesn’t exist.

Apart from the 1/500th sync on the 5D Mark IV, I’ve also told Canon Inc. that people want exposure metering linked to the selected AF point. Those of you who have been continuing to spam my inbox with this request, please stop. I know about it, I’ve told Japan, and I keep reminding them. Emailing me about it every other day isn’t going to help right now.

And the same also goes for second curtain sync on our new 600EX-RT flash system when using the wireless capabilities. I already told Japan you guys want that feature. Honest to God, I don’t know why it was left out. Please stop asking me. And the same also goes for being able to set the flash zoom setting on the slaves wirelessly from the master or the ST-E3-RT. This one boggles the mind, I agree. Canon Inc. added the capability to set flash power levels from the master and the ST-E3-RT, but somehow forgot to also let you set the zoom setting wirelessly. So if you want to change the zoom setting on your flashes, you still have to fucking walk up to each and every one of them and do it manually, defeating the entire point of having wireless control over them.

I hope to God that they add these features soon via some kind of firmware update because the kind of emails I receive on these issues almost daily would make even Joe McNally blush uncomfortably while reading.

I’ll be back soon with more. In the mean time keep spamming your local Canon reps with these feature requests!

Being raped by Canon Inc.

By now we all know that we’re being fucking raped by Canon Inc. We’ve seen enough in the last few years that’s made us painfully aware of this fact.

Apart from the 100% profit margins on bodies and lenses, we knew products were being intentionally dumbed down and downright crippled so Canon Inc. could get people to buy the expensive as fuck “more advanced” models.

But this recent RAW video update on the 5D Mark III from Magic Lantern puts things entirely into a new perspective.

And Hitler, for one, is not amused.

Planned obsolescence is wasteful and unethical. It contributes to the fucked up nature of the world we live in today. Things need to change man, things need to change.

 

Fujifilm may be fucking us up in the near future; Nikon already fucked

Fuji X1 Pro Kicking Ass

Fujifilm X-Pro1 kicking some serious ass even at ISO12800 (source)

OK, I know you guys are expecting me to talk about the stuff we launched yesterday, the new EOS T5i Rebel and that small EOS SL1 of which I wonder who the fuck is gonna buy that piece of crap. But I’ll have to save that for another post. Man, I gotta tell ya, Tokyo appears to have fucking lost it again. The price difference between the T5i and SL1 is a hundred bucks. Who the fuck is gonna buy the crippled SL1 when they can get the T5i for just $100 more? Notice how the T5i comes with 9 all crosstype AF points when the $2000 costing 6D got only one fucking crosstype point in the center. Just thinking about this gets me all worked up. But let me not get ahead of myself here, I’ll be discussing this crap in the near future in another post.

What I want to dedicate this post to is a very lengthy email I got from a reader who in my opinion makes some really good points. And I asked for his permission to share this with all of you, because I think everyone should be aware of this. And I think Tokyo needs to pay attention to this because otherwise Fujifilm are gonna give us a lot of problems in the near future. And this guy isn’t the only one saying this; I know the S3 and S5, and the recent Fuji cameras are kicking ass certainly as far as image quality is concerned. Fuji has had some excellent sensor tech for years.

Fujifilm X100s

The Lord of the Speedlights shooting a Fujifilm X100s (source). Yep all the cool guys have one, as you are about to find out below. Update: Check out his full review.

You guys know that I’ve been here hammering on this stuff for over 4 years now; I keep telling those morons in Japan that we don’t need more senseless megapixels. What we need is better pixels, not more. We need smoother, better image quality, less noise, and kickass color reproduction and usable dynamic range EVEN AT THE HIGHEST ISOs. And we need that coupled with a fucking lightning fast and sharply accurate AF system that covers the whole fucking frame and could autofocus on the dark side of the moon.

This guy asked to remain anonymous, cuz he’s a wedding photographer and doesn’t want clients googling his name to find my blog with all the fucks and goddamns and stuff like that. Might be a turn-off for the brides. I mean, we all know how this world is full of fucking hypocrites, right? Can’t say “fuck” online cuz it’s rude but meanwhile you wouldn’t wanna hear the stuff they scream out loud in the bedroom at night when they’re busy fitting 12 inches of cock inside their vaginas.

Anyway, I highly recommend you read this guy’s letter below and check out the material he sent along with it. Also let me take this opportunity to let you all know that if there’s something you’re fed up with as well, and would like me to share it on here with everyone, just send it along to me. If it makes sense and if it will make the fuckwads in this industry pay attention, I’ll definitely post it.

Letter to Fake Chuck

Hey Chuck,

Just wanted to drop a line and say thanks for saving me from a Nikon D800 (and possibly even the D4!) Yes, I went to the Nikon website and looked at that shadow banding file you showed your readers (the library shot) when I realized that is where the crop was from. I was shocked.

I have been shooting weddings for eight years. Only 50+ to date, but competition is stiff as you can turn over a rock and find more photographers than lawyers these days. Passing 50 as the sole shooter facing a tsunami of competition is nothing to sneeze at under those conditions (and all strangers, not the Facebook-friends-family network that most rely on!!!)

I have used a digital SLR on all my weddings starting back in 2005… and a Nikon… body and glass.

It was a Fuji sensor that captured everything you see on my website. First an S3 Pro in a frankenstein Nikon F80 body (that felt amazing in the hand surprisingly enough), then an S5 Pro in that venerable Nikon D200 body with only an 11 point AF system! (F#@k me, what the hell do you need 51, or 61 in the Canon, focus points for other than to please the measurebators and marketing dept.) The S5 I bought at the end of its retail life, literally one of the last bodies remaining in Canada.

I love Nikon bodies.

I love Nikon glass.

I love the Nikon flash system (which I believe Canon users have also taken note of).

But I hated the colour and image quality.

Well, maybe hate is too strong a word. Let’s say I did not LOVE the colour as that is what is most important to me, and every photographer I would imagine.

It was not so much the Sony sensor itself as it does produce some amazing files, to be completely honest. But for me, it was

  1. the quality of those files compared to FUJI plus
  2. the WORK you had to do in order to get those amazing images.

It was the 2) part that kept me from buying a full blown Nikon digital system, camera AND sensor, when I started my wedding photography business.

As a wedding photographer, skin tones are everything and the Fuji just nails it, in JPEG, every time under almost any lighting conditions.

When I finally decided on the Fuji S3 Pro back in 2005, it was because I kept reading on DPREVIEW forums just one repeating question about Nikon digital SLR cameras:

“How do you tweak your skin tones?”

“What do you do to get good skin colour?”

“What are your camera settings / photoshop tricks to get good skin tones?”

Over and over and over again… tweaking a Nikon to get what you want from it.

I even had a chance to test out a D300s at one point. Not bad. A very good camera. But… I looked at my Fuji colour… then the Nikon… Fuji… Nikon. I realized I still was not getting what I WANTED from the camera as it was. Tweaking… always the tweaking. And I am not talking expected adjustments an corrections. I am talking about getting an overall tone and feel, not just correct colour, straight out of camera.

Granted, in the early days of digital, I think everyone was working those first pixels to get what they wanted compared to film, but I wanted nothing to do with that. I wanted to shoot and get in the can what I was able to do with film and the FUJI S3 came the closest in my opinion and I went with it. (I almost… almost… bought an F100 system if you can imagine.) Pick your body, pick your film. The machine, and the image, were separate (So to speak, glass is important but if the camera is not loaded with film or the sensor dies, there is no photo!) I was not about to compromise on my workflow (Nikon and Fuji film) just because digital came along to up-end the apple cart on the whole photographic industry.

The D3 was a game changer. This is just plain fact… but now also history.

It was just too much $$$ for me at that stage of my business and there was still just something… off about the colour (as far as skin tones go, landscapes are stunning). Even after all the development since the S3, and the S5 being an older system, I just did not trust the D3, for the cost, to get the image quality I wanted… EASILY. I knew WORKING a D3 file to get what I wanted was way easier than before when I was looking at a D2/D200. The colour, the dynamic range, all greatly improved. Nikon truly nailed a product launch with the D3 (especially in low light / high ISO performance). So much so that I believe many Canon shooters switched to the dark side (there is no light for fan-boys). If I could have afforded it, I would have bought a D3 instead of the S5 (2009). I was even close to doing so again in 2011 when I realized there was no FUJI S6 Pro coming down the pipe no matter how much I dreamed about it or what rumors you could find on DPREVIEW. I think Nikon saw the writing on the wall – lots of glass sales, but a lot of Nikon DSLR camera bodies sitting on retail shelves if they gave Fuji even an old D2 body, or even a D300 body, which they still could do and I would buy it in a heartbeat.

So, I have hung onto my S5 well past it’s prime and it has kept up, but the low light/high ISO performance is just not cutting it anymore. And at 6 MP, the resolution is just not there to compete with the other professionals that I am now in camp with. (12 mp would be perfect, 36 is just stupid and Nikon knows better as it championed “it is not the megapixels” with the D2H.)

So here I am again… looking, reviewing… and wanting to find nothing more than those good days in the FUJI S3 forum on dpreview – a ton of posts with nothing but, gasp, PHOTOS on display! No gear talk, no “what is your camera settings” or “what photoshop action did you use.” Just plenty of stunning images with amazing colour and skin tones, straight out of camera jpegs. My first wedding with my S3 Pro? Out of the box, a weekend test to confirm it worked, shot the wedding straight to JPEG. No camera adjustments, no photoshop tweaking other than density, colour cast and saturation, if it needed it. If you go to my website you can still find S3 images in my portfolio!!! I have printed one 4ft by 6 feet and it looks stunning.

I found your killer blog on one of the last links I had googled for Canon 1DX promotional videos (having just watched the Nikon D4 WHY video… and how SOFT… oh hell… out of focus, let’s be honest if that is what “sharp” is with D4 video)… and I am glad I clicked that last link.

The fact Canon tried to sue and shut you down three years ago cemented my already gut feeling about the new lineup of Nikon, full-frame, pro DSLRs and all the criticism you have written about them.

Not gunna do it.

I LOVE NIKON!!!! I love their ergonomics and handling, the glass… the flash system… everything… still do.

But that S5 has got to go and the 1DX is going to be my future system if Nikon does not get their act together. I have not invested in full frame body and glass (well, not a lot anyway) as the S5 is APS-C so this is not a small amount of $$$ we are talking about.

That said… I was wondering if you would do a blog post for me. If Nikon has any sense at all, or just plain fear of bankruptcy as I think these issues are THAT BAD for a company that is PRIMARILY imaging (unlike Canon and its wide R&D and products in other fields)…

If you want to send a message to Nikon as you did to Canon to prove you are no fan boy of anyone… just great cameras and great photos…

Then tell Nikon this.

TOSS THAT $HIT SONY SENSOR AND GET THAT FUJI X-TRANS IN FULL FRAME FROM THE X-Pro1… NOW!!!!

Seriously. With all due respect to Sony, can I be more clear about what I want from Nikon?

And I don’t think I am alone.

Have you seen the shots from the Fuji X-Pro1?

Here are just a few links:

Google search for sample photos.

Fuji X-Pro1 vs Sony NEX-7 vs Olympus OM-D E-M5 – Low Light Test

Check out the low light A$$ DESTRUCTION of the X-Pro 1 in that clip above at the 7:30 mark. Stunning.. just @#$% “Jizz in your pants brilliant.”

Ummm. Maybe. Ummm. Yes. :: Fuji X-Pro 1 Review

And a video on Zack Arias using it.

Here’s one link to a professional D4 wedding shooter who is looking at incorporating the X-Pro 1: (Provisional) Review: Fuji X-Pro 1. As you can see from Ryan’s work here, the D4 does create AMAZING photos. http://www.ryanbrenizer.com/2012/05/review-nikon-d4/

But, why bring along an X-Pro 1 to a friend’s wedding shoot? Is not the D4 enough? And LOOK AT THE COLOUR compared to the X-Pro 1. Can you see what I am talking about? The tone? The feel? There is just… something… about FUJI colour that makes my heart want to hold it forever. Nikon… is just a little… yellow/green. And I know those images from the D4 are not straight-out-of-camera JPEGS. The X-PRO1 images very likely are.

Note the D3 in the camera size comparison shot (Where is his D4? Is the X-Pro 1 BEFORE his D4 purchase?). Note the death of all Sony attempts at setting industry standards (BETAMAX, memory stick, XQD?). Note the smaller, mirrorless system creep-up on all DSLRs for pros. Note that Canon, Sony, and Fuji are all competing in those spaces with their own sensors that they have 100% access to the full image quality from because they design the sensor in-house.

Note to Nikon: You DON’T have a lot of wiggle room here to rest on your reputation and skate over this storm. What happened to the D2H sensor? A 4mp beast that resolved incredibly higher than its MP rating if I am not mistaken. That was Nikon’s in-house sensor… and its development just died. I read a wildlife photographer that picked up a D2H and the files were very good for the time it was developed. With everyone focused on the megapixel race, Nikon focused on quality. Maybe I am a loner again, but I liked the D2H files that I saw from the Nikon website.

What happened?

I love Nikon. I would even take a D4 if given one (actually, I would prefer a D3s if I am being 100% honest), but I am not alone in wanting more from Nikon than it has delivered. This review also swayed my move to Canon and away from the D4.

CANON 1DX VS NIKON D4

For a 16mp, APS-C size sensor in the X-Pro 1, that FUJI X-TRANS would wipe out BOTH Canon and Nikon if they ever… ever… put out even a half respected DSLR body. If you look at their pro-sumer line, they are getting there.

Even Canon shooters are using the X-Pro 1 professionally.

Fuji X-PRO ! REVIEW PART 2

I really like the Canon colour (and may soon love it in the 1Dx) as it has been getting my attention over the years… but still… to date, even with the 1Dx… this is how I dumb-it-down between Nikon and Canon in terms of colour quality.

Nikon… skin tones are chalky, no life, no zest.

Canon… skin tones are milky, like a good white chocolate.

Fuji… skin tones are PERFECT!!!

With my FUJI S5… either I got faster and better at colour correction… or the sensor just NAILS COLOUR/EXPOSURE no matter what light you are in EVERY TIME! I swear, I could shoot a wedding and if I had to, just hand the cards over at the end of the night. The jpegs are THAT good. My assistant was stunned that I shoot straight to JPEG. Or, scared to death if she had to do it to be more accurate. When I went to the S5, I was colour correcting my own work in 1/3 of the time because the files were that much of an improvement over my S3. I am impressed to hear (and see) that some of the 1Dx out-of-camera jpegs are also that good.

But still… that FUJI colour. The Fuji sensor was not perfect. It was softer to be sure, much like the D4, but the X-Pro1 seems to have resolved that issue. I still believe many are saying not for landscapes or true sharp and deep depth of field images. The APS-C size, while amazing, does not compare to full-frame pixel well depth in that regard.

But man… can you just imagine what a full-frame X-TRANS sensor in a Nikon body would create?

I still might go with a 5D Mark III and an X-PRO 1 for weddings. I just don’t know. But that larger pixel well on the 1Dx is what I want. The greater dynamic range and lower noise is not just marketing jargon.

Canon EOS 1Dx Hands-on Review

Scrub to 11:30 in that video if it does not work as the pixel depth and ISO is compared between the 1Dx and the Mark III.

I have done a lot or research on these two cameras. I still want to get a D4 and a 1Dx in my hands for a week to play with if I can. But I suspect… the 1Dx is going to win and sadly, the D4 will confirm all I have so far learned about it from you and others linked above.

As a Nikon shooter, I am seriously concerned this D4/D800 gaff could put Nikon into bankruptcy. Especially with the simultaneous release by Canon of the 1D C cinema camera… and 1D X in one body. This is NOT a normal time in digital photography… the stills+motion movement is coming, and Nikon just might get left behind.

As you noted Nikon finding out via the accounting department – “stiff market competition” and declining sales. And as I pointed out above, Nikon just does NOT have the wiggle room to NOT respond to customers and loyal users. They simply do not have the deep R&D pockets nor capital/corporate base of Canon. I would not be surprised to see FUJI outright purchase Nikon if it gets that bad and if they really want a piece of the pro DSLR market. Being smaller has worked in Nikon’s favour in the past as they have always found a way to do more with less and catapult far in front of other competitors (The D1) by using that smaller company magic of creating outstanding cameras for professionals.

But something has gone wrong. Horrifically wrong by the looks of things. It looks like Nikon decided to relax with the D4 thinking the D3 put them ahead of Canon for good.

I mean come on… in camera HDR is all Joe McNally is asking for… and Canon is the one to do it just for him in the Mark III?

Change… is the only constant.

Kodak thought they had deep enough history and loyalty to survive the digital revolution.

I think Nikon might be at risk of facing the same fate as Kodak if they don’t respond to professional complaints and customer needs.

Thanks again for saving me $10,000+ on Nikon gear I would regret the moment I looked at my first out-of-camera jpeg.

UPDATE 22/3/2013: The Lord of the Speedlights just published his full review of the Fuji X100s. It just confirms everything the letter above already discussed, and then some. Looks like I’ll have to get the finance department here at Canon USA to allocate some budget to get a couple of those babies so I can uh… use them for R&D and uh… competitive analysis. *clears throat*

Nikon Taking a Serious Beating – DXOMark SUCKS BALLS

The Nikon 1D Mark III (AKA D800)

The Nikon 1D Mark III (AKA D800)

I almost chocked on a piece of pizza this morning when I read the following Q&A with Nikon:

Q: What can you tell us about the revision of the financial forecast in the  imaging products business?

A: While we increased production and inventory of digital SLR cameras as one  of measures against the risk of floods in Thailand, rapid deterioration in the  market occurred late November and continuing into December. That resulted in a  reduction of unit prices and additional sales costs in fiercer market  competition. This is the main reason of a significant adjustment for Imaging  Company which had been making stable earnings, and we have taken this fact  seriously.

BAAAAAAAAAAAAAAAAAAAAAHAHAHAHAHAHAHAHAHAHAHA!!!!!!!

Yeah of course, blame it all on the market instead of putting the blame on yourself. I’ve been pointing out here on my blog ever since the release of the piece of shit D800 that Nikon was in for a major ass whooping. Especially since we had enough time here at Canon Inc. to regroup our efforts in 2012. I said 2012 would be and exciting year for EOS, and you’d think Nikon would take note of that and release something spectacular. Instead they came up with the biggest piece of shit since the 1D Mark III and called it the D800. Not to mention that the 1DX beats the crap out of the D4 too.

Nikon morons are all up in arms everywhere on the interwebs. Just check this out:

Nikon morons are seriously disappointed

Nikon morons are seriously disappointed

BAAAAAAAAAAAAAAAAAAAAAAAAAAAHAHAHAHAHAHA!!!!!!!!!!!!

This really puts the bullshit on DXOMark into perspective doesn’t it? I’ve been saying here for a couple of blog posts already that they suck balls at DXOLabs, but the Nikon morons just didn’t want to believe me. And how about those fuckwads at EISA with their bullshit awards? This puts that into perspective as well right? RIGHT??? I hope that Nikon finally learns that buying/bribing the entire fucking European camera industry will not guarantee good business results.

Nikon D800 Poll

ROFLMAO!!!!!!!!!!!!!

This goes to show you that if you want true honest to God expert opinion on the Interwebs, I am your guy. Not to brag about myself, but yes, I am the Canon camera guru after all and I fucking earned that title!

So while Nikon’s market is “rapidly deteriorating” (LMFAO!!!! BAAAAAAHAHAHA LOLOLOLOL!!!!!) remember that the 5D Mark III and the 1DX are currently the best fucking DSLRs in the entire history of human civilization. This point continues to be proven again and again. Choose wisely if you know what’s good for you. I said this before, but seriously, how can one expect Sony and Nikon to compete with our entire EOS ecosystem? We’ve got everything in there from DSLRs to Cinema Cameras to a whole fucking arsenal of lenses that work on both systems. It’s fucking beautiful!!! I can certainly agree with Nikon when they talk about “fiercer market competition.” Oh it’s fierce alright.

Problem?

Problem Nikon?

And now if you’ll excuse me, I’ve got another 3 slices of pizza that’re waiting for me.

The 5D Mark III proves itself; The D800 sucks balls

Piece of Shit

Piece of Shit

I don’t usually do this, but this comment by Phil Banno is so true it fucking made my day:

I have a 5D mark 3 and my business partner has a D800. It started as a personal preference but the L series canon lenses blast the nikons out the water, so much so my business partner is selling his virtually new D800 to buy a 5D mark 3 (& he’s a Nikon fan). A lot of you rant about high ISO usage but in a church where you aren’t allowed to use flash, the 5D on 5000 ISO with a 70-200mm f2.8 ISM L series 2  has no equal in the D800 arsenal. And the confetti shots with 6fps also beat the D800. Real camera, used by a professionally qualified, 24 year experienced photographer (not you geeky Mega Pixel Amateurs). The Canon is like a pure racing car, designed for power to weight performance with outstanding handling, breaking and aerodynamics against the Nikon, an American muscle car that can go fast in a straight line then end up in a hedge at the first bend or blow up after a short distance. Too much power (Mega Pixels) and no where near as good lenses (tyres and breaks). REAL WORLD, 5D MK3 is the professionals choice, D800 the Amateaur look at me with my massive over kill mega pixel never to be used above a 20″x16″ canvas choice! 5D super fit professional athlete, D800 steroid muscle freek with a small penis and long term health problems. Canon purposely created a perfected version of its 5D range. Nikon went down the gimmick route. Bullshit for bull shitters so it’s simple. If you’re a true pro buy the canon. If you’re a wanna be amateur by the Nikon but be aware, us true professionals will laugh at you for choosing poorly. You either have it or you don’t. And I photograph her majesty the queen to name drop but one of my clients so beat that!!!

Yeah, read it and weep Nikon fanboys. And FYI the D800 autofocus fuckup saga is still ongoing. The D800 truly is the Nikon 1D Mark III.

I’ll be back soon with more updates. Yes, yes, I know, I have been really slacking here but man, things are just so hectic here at Canon USA. I’m sure you’ve noticed all the products we’re launching every month. I have loads of technical documents concerning the new products to wade through right now just so I can keep my Canon Guru title in the future. Not to mention play with….errr….i mean, test, the new products.

Many have been sending me emails and leaving comments asking when I’ll update again to talk about the piece of shit EOS 6D and the Nikon D600 and all the other stuff. Some even get hostile on me like the guy below.

Request 4 Update

Request 4 Update

Rest assured that I’ll be back very soon with some very in-dept analysis of all recent developments.